Rock’n’Roll Plays Itself

Rock ’n’ Roll Plays Itself excels in its understanding of how the music is characterized by its unique relationship to time, its seizing of the moment as an existential act.’ - Los Angeles Review of Books.

In the fifties, when rock ‘n’ roll first burst into life the shockwaves reverberated around the world, aided by the images of untamed youth brought to life on screen. But for rock's performers showbusiness remained in control, contriving a series of cash-in movies to exploit the new musical fad. That world was blown apart by the events of the sixties and the decades that followed …

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Poison in the Machine

Sex Pistols: Poison in the Machine analyzes the events surrounding the emergence, the eventful career and the subsquent implosion of the Sex Pistols in a manner that could be said to provide an instance of what cultural historian Robert Darnton labelled 'incident analysis'. The book draws on accounts of events as understood by participants at the time, relating it as a story – as against much post-hoc rationalising or culture industry representations made decades after the fact about what the Pistols 'meant' – to reveal the growing conflict between the artistic ambitions of two principal actors, Malcolm McLaren and John Lydon, who held divergent ideas about who and what the Sex Pistols were.

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Easy Riders, Rolling Stones ...

‘John Scanlan delivers a beautifully rich and finely researched account of how Americas endless highway has influenced and manifested itself in key artists work . . . Scanlan draws from known documentation but displays an innate feel for his subject as he throws up insightful theories about the more direct times before social media, when artists could be covered at close range by chroniclers of the time . . . It’s rare to find a tome which makes you ponder then punch the air in agreement but this highly recommended work is as much an endangered species as its subjects.’ — Kris Needs, Record Collector

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Van Halen

Van Halen: Exuberant California, Zen Rock’n’roll follows one band’s pursuit of the art of artlessness, and explores how they came to characterise ‘Zen California’ ...

'Making unlikely connections between Van Halen and movements as seemingly remote as the Beats and Bebop, Scanlan convincingly makes the case that the relationship between Roth and Eddie Van Halen reveals something of the essence of California . . . it is a tale concerned with the "art of artlessness", and the importance that living in the now had always assumed in the culture of California.' — Dagens Næringsliv's D2 Magazine

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